![]() ![]() Not even Linn realized the implications of his decision to allow this freedom. But the MPC gave users more control: every sonic element could be swung at a different rate, rather than all the sounds at the same rate. It also had Linn’s groundbreaking “swing” function, one that the SP and other machines had copied, which could make the spaces in between notes uneven. ![]() “Shift Timing” allowed users to nudge individual notes forward or backward in time, revolutionary for its time. ![]() The Akai MPC, designed by the maestro of sampling and sequencing, Roger Linn, had a number of advanced rhythmic features. J Dilla’s AKAI MPC 3000 Photo by Heritage Art/Heritage Images via Getty Imagesīut sometime in 1997-and this is really important-James switched machines. ![]()
0 Comments
Leave a Reply. |